If you ask me what’s the most rewarding and interesting genre of photography, I’ll immediately utter “Street Photography.” It’s a bit more challenging than other photography niches as it requires hard work, patience, and sometimes bravery to approach strangers and request them to take photographs of themselves, their things, or their places. The thing is that it’s best to learn photography more quickly if you are a newbie. However, I’ve come to realize that you need one simple KISS rule (Keep It Simple Stupid) to follow in street photography.
So…I’m going to expand this topic to share my personal street photography experience and a few favorite tips and tricks. Just follow the footsteps of this guide as it will help you build your best street photography portfolio and learn something satisfying as a beginner.
8 Street Photography Tips and Tactics for Newbies
1. Street Photography Beyond City Streets
When I was a beginner-level photographer, I perceived one thing about street photography: it is all about your nearby streets and the people there. So, I was just capturing photos randomly in public places and areas a decade ago. Although I enjoyed this experience, I learned with the time that there is no rigid rule about street photography. You can start doing street photography anywhere and anytime.
As you can see, my home town is a small rural area. This shows you don’t need to belong to a busy city to start documenting the hustle and bustle of the streets. You can explore street photography adventures even in smaller cities, communities, and villages.
2. Define Your Subject Very Clear
Social media, especially Instagram, Facebook, and TikTok, are flooded with street photography from mediocre levels and new photographers. I really appreciate any new street photographer but I have seen one common mistake in their portfolios: ignored subject. You need to clearly define and refine your subject as it makes your photo.
Secondly, the subject here doesn’t entirely mean to focus your camera lens on any random person. In this case, you’ll have hundreds and thousands of different faces that anyone can click on while sitting in the street.
Note: Always remember, subject-oriented pictures always have a motive behind them that any viewer foresees. It also shows the pure intuitions, intent, and subjectivity of that photograph. Just answer this question: What’s the purpose of that specific street photograph?
A standout street photo needs a clear focal point (in the above-mentioned example, Khalid and his unique art are the subject of my camera lens). It anchors the attention of the viewer. Composition essentials like leading lines, rule of thirds, and negative space still reign. But great street photography goes beyond technicality – it tells a story.
In simple words, click images that prompt curiosity, spark questions, and encourage the viewers to take a pause and think about these masterpieces. Freeze moments that resonate, where context and mystery entwine. More importantly, effective street photography doesn’t just document life; it invites interpretation. They must show connection and intimacy with the subject.
Here, another question arises: Do the street photos contain a human being or not?
If you take the suggestion of sticklers, they will say “Yes.” However, my approach is very different. From my point of view, it’s not merely necessary that the subject ought to be a person on the street. It could be anything that is thought-provoking, even a discarded object.
I’m drawn to capture those things that people often leave behind on the streets. These forgotten things spark curiosity and invite viewers to create their narratives. A lost glove, a crumpled ticket, or a faded photograph – each discarded item whispers secrets of the past. These discarded things encourage imagination and reflection. In the above-mentioned picture, a lost umbrella urges the viewers to think about it, ask questions in their minds, and create their own stories.
3. Smaller Camera & Less Equipment
All of the professional street photographers will recommend you use small cameras and less equipment because it helps you blend in. As a result, you become a discreet observer. Bulky equipment draws attention and makes the targeted subjects self-conscious.
On the flip side, a compact camera lets you move unnoticed and capture authentic moments that happen rarely. Less luggage also means greater agility. It helps you to swiftly respond to unfolding scenes. Simplicity frees you to focus on framing and composition. It leaves the unnecessary behind and embraces the liberty of a lightweight setup.
Compact camera systems are perfect for simplicity in capturing candid moments. They are lightweight and painless to carry on long walks, unlike bulky DSLRs that are difficult to carry, and everyone notices them. Their discreet design also puts subjects at ease, as they resemble familiar tourist point-and-shoots. This subtle approach minimizes intimidation.
I love to use prime lenses when it comes to street photography. My go-to focal lengths are 23mm and 50mm on cropped sensors. Primes offer a double advantage: compactness and familiarity. I develop an intuitive sense of framing after sticking to a single focal length. It anticipates the shot before raising my camera.
In this way, I learn to position myself precisely in order to eliminate the variable of zoom. This consistency proves invaluable on the streets, where moments vanish in an instant. So, I’m better prepared to catch fleeting scenes with primes while freeing from the distraction of adjusting zoom. Muscle memory gets in and helps me to focus on capturing the split-second beauty of life.
I pack everything light for a day of street photography. My trusty Peak Design 5L Sling bag holds essentials: business cards, extra batteries, ID, and phone. My Fujifilm X-T3 and 50mm f/2 combo hangs from a slim sling strap, while my X100F is secured with a wrist strap. I ditch extra lenses to avoid decision paralysis. Instead, I “zoom” with my feet to get up close and personal with subjects. No “what ifs” about alternative lenses – I focus on capturing the moment. This streamlined approach frees me to respond instinctively and get immersed in the rhythm of the streets.
Don’t just focus on your camera and related equipment. Comfortable shoes are also important. A typical day of shooting can span 10 to 15 kilometers, and blisters or sore feet would be distracting. I prioritize practical footwear to keep pace with the city. My dress is also carefully chosen to blend into the environment. I avoid anything eye-catching that might draw unnecessary attention. If I dress unassumingly, I become an invisible observer who becomes free to capture street life without influencing the scene.
Important Note: Select mirrorless cameras as they feature silent shutter modes to eliminate the telltale click sound. Remember, this covert capability is ideal for documentary-style photography and candid shots.
4. Have the Right Camera Settings
Let’s suppose you approach a person walking on the street to take their photographs but your camera settings are not what they should be. This is an embarrassing moment because the first thought that comes to that random person’s mind is that “you are not a professional street photographer.”
Also, do you think they will wait for you to set your cameras and do the right settings so that you click their photos? Definitely Not!
Similarly, what if you wanted to click a photo of a moving object but did not have the desired camera settings? In this scenario, you have missed the opportunity.
For authentic street portraits, I don’t skip my favorite aperture priority mode. It lets me control the depth of the images while keeping things flexible. I also rely on Auto ISO to make sure my shutter speed stays lightning-fast. That way, my camera is always set to shoot any unexpected moments – a telling glance, a gesture, or a fleeting smile. Capturing these subtleties elevates a decent street snap to a showstopper. These easy tips tell the difference between a simple street picture and a great masterpiece.
I keep other settings on default, since shooting RAW gives me flexibility. Occasionally, a speedlight comes in handy, but I’m not a fan of harsh looks due to artificial light. Flashing strangers can be off-putting too. However, if my subject is comfortable with it, fill-flash is good to go as it adds depth and dimension to the image.
5. The Comfort Zone Chronicles:
Beginner street photographers hesitate to take photos from an arm’s distance. Most of them feel shy. What will happen if you click someone’s photos without their permission and they catch you? The worst scenario could be that they will not allow you to click their photos. It’s not that bad. Anyone can feel intimidated by the camera and that’s okay if you face a “No.”
However, it’s a good street photography idea if you shoot from a safe distance as a beginner. No need for a telephoto lens – just find a comfortable vantage point across the street or in a quiet corner. Then, capture street life that’s unfolding naturally and embrace your true documentary style.
Look for intriguing scenes and characters within the environment. This buffer zone helps ease any anxiety and allows you to focus on framing and composition. As confidence grows after taking photos from afar, so will your willingness to get up close and personal.
6. Photograph the Backs of People
Who said it’s ultimate to show the face of your subject? You can photograph the backs of people in the streets. The intimidating nature of people due to society, religion, and culture in Eastern countries doesn’t allow photographers to shoot their faces.
In certain cases (specifically in Eastern countries like, USA, UK, Pakistan, Bangladesh, India, etc.), the subject starts quarreling with the photographers about why they photograph them without their permission. In this situation, I took photos of anyone’s back to not reveal their faces and respect their privacy.
Another tip to consider is that you should know about the place and people where you are doing street photography. You need to respect the cultural differences, religious diversities, and many other distinctions of that place. Plus, don’t photograph beggars, the homeless, and any other needy persons, as it is not a gesture of respect.
Just ask a question to yourself: would you like anyone shooting you when you are in a desperate position? If you get the answer “NO,” then your photo is off-limits. Hence, you need to maintain a code of conduct and say “No” to photographing the less fortunate.
7. Make Eye Contact
In street photography, eye contact can blur the line between candid and posed. Some sticklers argue it compromises spontaneity and alters the authenticity of the scene. Personally, I avoid initiating eye contact with my subject to preserve the naturalness of the moment. No hovering or telegraphing my intentions – I observe from a respectful distance.
When eye contact happens organically, it adds depth to my street images. But I let the scene unfold naturally, without interference or influence. This approach honors the genuine expression of the subject and maintains the integrity of the moment. Mostly, I get smiles when my subject instantly looks at my camera and that’s so cute.
When my subject’s eyes meet mine just as I click the shutter, serendipity strikes. These unplanned encounters inject humor and humanity into the frame. Moreover, eye contact transforms the image to be more personal and relatable.
A connection is formed in those fleeting moments, and the viewer senses it. I embrace these intersections as they add layers to the narrative. The acknowledgment of the subject becomes an invitation to engage and draw the observer into the scene. These split-second encounters elevate the photograph from mere observation to a meaningful connection.
8. Respect Boundaries of People in Public
In most countries, including Canada and the US, photographing in public spaces is perfectly legal. As a street photographer, you are generally free to capture moments in parks, plazas, and sidewalks. However, you need to take care of the public, which doesn’t mean limitless access. Respect reasonable expectations of privacy of people, even in open areas.
Avoid intrusive shots, like snapping into homes or private gatherings. Again, be mindful of cultural sensitivities and personal boundaries to avoid conflicts. Know your local laws and exercise discretion. You’ll capture award-winning photographs without compromising dignity or privacy. All you need is to balance artistic expression with consideration.
In this image, my subject noticed me clicking the shutter and instinctively raised his hand to block his face. I lowered my camera within seconds and apologized to him for the sudden capture. To diffuse the moment, I showed the photo with him. His expression transformed from surprise to amusement. He permitted me to keep his image with a chuckle. This unexpected small gesture of respect turned into a lighthearted exchange. This photo always reminds me that respect and openness can turn potential conflict into connection.
Crossing the line into invasion of privacy is unacceptable – and often illegal. Think twice before capturing intimate moments through windows or doors. Familiarize yourself with regulations governing photography in public spaces, especially when capturing people or private property. Informed photographers respect boundaries while pursuing their profession.
Children’s photography in streets and open areas is another critical subject. After all, parents are protective and possessive about their kids. So, you need consent from their parents, grandparents, or guardians to capture the photographs of their children.
When parents or guardians are nowhere to be found, I prioritize caution by creatively cropping or angling my camera lens in a position where the face of the children is concealed in the photograph. However, my preference is always to obtain explicit consent. This subtle adjustment ensures their identity remains protected.
Provide your contact information to help them reach out to you if they want a professional photography session at their place or in your studio. Surprisingly, many parents appreciate professional-quality photos of their children. Thus, you’ll not only avoid disputes by respecting boundaries and showing courtesy but also create meaningful connections and potentially gift families with cherished memories.
Wrapping Up Street Photography Tips and Tricks!
Novice and even mediocre-level street photographers think that the proper definition of street photography is all about streets and taking shots of strangers. Instead, you need to get involved in street photography from your own perception and perspective. Obviously, your viewpoint will always be distinct from others.
The supreme goal of street photography is to have fun with unknown places, things, cultures, people, and much more. You can play with the lighting of your camera and the surroundings and try different focal lengths. Then, stick to those camera settings that resonate with your unique style and mood.
You should create your own Sigma style of street photography. Try something candid or use contrasty light to save some iconic memories of the streets. You can also focus on capturing silhouettes and street animals and even wait for a few minutes to let the people trespass from your set background.
Now, it’s time to improve your street photography skills with these simple but extremely rewarding tips. Consequently, these street photography skills will assist you in learning other genres of photography.
Lastly, don’t forget to share your favorite street photography tricks in the comments section. I love to use new camera settings and unique techniques in my photography to enhance my skills and experience and so my readers.
