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Best Nikon Coolpix P520 Review

The Coolpix P520 is the most recent model in the long-running Nikon P-series range and it comes with an enormous 42x optical zoom that is more prominent than any past camera in the reach. It’s viable with the discretionary WU-1a Wi-Fi module, allowing you to control it from your Android or iOS cell phone or tablet, and remotely share your photographs. Let’s discuss the Nikon Coolpix P520 review.

Nikon Coolpix P520 Features

The Nikon Coolpix P520 has an 18 megapixel back-enlightened CMOS sensor which permits all the more light in. The 42x optical long range focal point is a 35mm likeness 24-1000mm, ideal for scenes and zooming in near your subject. To assist with taking the most honed pictures conceivable, there is progressed focal point shift VR (vibration decrease), with empowers more slow screens paces of up to four stops, and Active Mode which conveys clear shots in any event, while you’re moving.

There is a 99 point self-adjust framework that guarantees quick and exact AF. You can likewise utilize subject following AF which permits you to make sharp efforts of moving subjects.

While shooting there is an auto mode that changes the camera settings consequently for the identified scene. You can likewise choose from 19 scene modes or utilize the manual exposure modes (P/S/A/M). Other shooting modes incorporate auto HDR, Easy Panorama 360°/180° and the focal point has a base centring distance of 1cm for shooting macros. 

In persistent shooting mode, you can record at 7 fps for 7 casings or 30 full-resolution shots at 1 fps. Whenever you completed the process of shooting you can alter your photographs in the repair menu, adding impacts like particular tone and cross-screen.

The P520 has implicit GPS to geotag your pictures as well as follow your course. You can buy the Nikon WU-1a Wi-Fi dongle to permit you to move your pictures to a cell phone.

Recordings are recorded in 1080p/60i Full HD with sound system sound, you can likewise utilize the optical zoom while recording. You can shoot in sluggish and quick movement, up to 120 fps. There is an implicit HDMI connector for association with an HDTV.

Key Features:

  • 18 megapixel back-enlightened CMOS sensor
  • 42x optical long range focal point (35mm equiv: 24-1000mm)
  • 7 fps consistent shooting
  • Progressed focal point shift VR (vibration decrease)
  • Vari-point 3.2 inch 921k spot LCD screen
  • ISO 100 – 12800
  • 0.2 inch 201k dab electronic viewfinder
  • Underlying GPS
  • Full 1080p HD film recording with sound system sound
  • 1cm least centring distance
  • Auto HDR mode
  • Simple Panorama 360°/180°
  • Available in silver, red and dark

Nikon Coolpix P520 Handling For Shooting

The Nikon Coolpix P520 is marginally bigger than the past P510 model, however, its plan is just negligibly unique. Like most very good quality superzooms, the Nikon P520 sports the normal scaffold camera look, with a stout hand-hold, huge focal point barrel, spring up streak and an eye-level electronic viewfinder. The profound grasp is shaped to fit easily into your right hand and is rubberised in a finished material for added solace.

The predominant piece of the P520 is the 42x long range focal point, which goes from a super-wide 24mm to an honestly inconceivable 1000mm in 35mm terms. Taking into account that with an SLR, you would require no less than 3-4 focal points to cover a similar central reach, the single, fixed-mount focal point of the Nikon P520 can be depicted as surprisingly conservative, regardless of whether it expands a lot when zoomed to full fax. 

Super-zooms have gained notoriety for offering a high “fun element”, and the P520 is the same. The capacity to rapidly go from wide point to ultra-fax is something that must be knowledgeable about requests to be completely valued. It surely provides you with a sort of opportunity you don’t feel with some other kind of camera.

The P520 looks and feels the same as a DSLR, with a significant hold which is rubberised, similar to the fix on the back for your right-hand thumb. There are two methods for controlling the zoom, there is the typical zoom rocker on the top, yet there is likewise one on the focal point barrel. On top of the camera, you’ll likewise observe a mode dial, on/off switch and fn button. The last option can be tweaked to change the ISO, metering, white equilibrium and considerably more. The glimmer is initiated by a button on the top.

On the back of the camera, however towards the top is a showcase button, film record and dial for changing screen velocities and gaps. Different buttons incorporate playback, menu, erase and there is likewise a turning dial for burning through the menu choices. This can likewise be squeezed to give admittance to the glimmer, self-clock, exposure compensation and centre mode.

The screen is noteworthy, it’s 3.2 inches in size and has a 921k speck resolution. It turns out to make it simple to shoot with the camera in sequential positions. The electronic viewfinder is valuable while shooting with the zoom at a long length as it decreases camera shake, however, it’s minuscule and has a low resolution.

The menu framework is sufficiently simple to explore, it looks the same as the menus utilized on Nikon’s DSLRs. One dissatisfaction that has been enhanced since the P510 is that when you switch the camera on with the focal point cap connected, no blunder message shows up. You simply need to pop it off and begin shooting.

Battery duration is appraised at 240 shots as per CIPA test results, this will be OK for a day of shooting, however assuming you utilize the GPS a considerable amount, you could like having an extra hand. We made various efforts to test the camera’s responsiveness, from switching on to the first photograph, shot to shot, centring speed and so on. We make various efforts and afterwards utilize the normal to guarantee precise and reliable tests, making it simple to contrast and different cameras.

Nikon Coolpix P520 Picture Quality

As far as to photograph quality, the Nikon Coolpix P520 is awesome to astounding, and maybe somewhat better than the P510 it replaces. The extra megapixels truly don’t help much besides with sufficiently bright full-scale shots or casing filling pictures; taking a gander at the photographs at 100% just uncovers commotion and ancient rarities. Essentially, don’t be tricked by appearances, the P520 isn’t quite as great as an advanced SLR. At its cost and highlights, however, a great many people should be more than content with its outcomes.

The P520 established a vastly improved connection in our video quality tests. It caught bitingly sharp subtleties and a splendid, clear picture in low light. It likewise dominated for picture quality at the long finish of the zoom, albeit the optical adjustment wasn’t adequately strong to keep these handheld shots consistent. 

Self-adjust was in some cases exceptionally delayed to refresh, and commotions from the different focal point engines crawled into the soundtrack. We additionally saw a few pressure antiques in quick scenes, because of the somewhat low-piece rate of 16Mbit/s AVC pressure. In any case, notwithstanding these different niggles, this is one of the better video modes we’ve seen from an extension camera.

Our photograph tests uncovered a comparable combination of qualities and shortcomings. The focal point performed well at the long finish of the zoom, and even though the centre didn’t exactly satisfy the aggressive 18-megapixel sensor goal, the degrees of detail contrasted well and adversaries. Be that as it may, it wasn’t so cutthroat when obscure circumstances constrained the ISO accelerate. The subsequent sound decrease made subtleties look smirched and messy.

At ISO 80 and ISO 100, subjects look sharp with fine detail sufficient for enormous prints up to 11.5×15. Things look somewhat gentler as you go up in responsiveness and sound decrease increments, yet it isn’t until you arrive at ISO 800 that subjects lose huge detail and look a little messy at more modest sizes onscreen or in prints. 

If you leave ISO in Auto, the camera will in general go with higher ISO settings when the focal point is zoomed in at any event, when you have a lot of light. If you’re making an effort not to freeze movement, it’s ideal to reclaim a portion of the control from the P520 and physically select your ISO.

ISO 1600 is ideal for Web use, particularly if the subject doesn’t have a lot of detail in the first place; things simply get excessively delicate and smudgy and colours look marginally blunter. The most elevated responsive qualities truly aren’t usable for much, however, if you’re utilized to awful low-light cell phone photographs, they’ll be preferable over those.

Video quality is generally excellent, positively sufficient for Web use and nondiscriminating TV seeing, and the sound system mics function admirably. The long-range focal point capacities while recording, but you will hear the engine in calmer clasps as you use it. Nonetheless, a greater issue is the camera’s sluggish self-adjust when zoomed in; you might have to zoom back out a little to get a strong lock regarding your matter.

Nikon Coolpix P520 Shooting Performance

The photograph quality isn’t exceptionally the same as the P510’s, the P520’s shooting execution appears to have eased back some. Where the P510 required scarcely over a second from off to initially catch, I observed the P520 found the middle value of around 2.3 seconds. Shot-to-shot time both with and without streak was around 2.3 seconds which is longer than the 1.7-second season of the P510.

The camera’s high-velocity burst will catch at 7 casings each second at full resolution for up to seven casings (however I timed it at 7.6fps). Tragically, after you shoot those seven shots, you’re passed on trusting that each edge will save before you can shoot once more. Other ceaseless shooting choices incorporate a low-speed full-goal burst fit for 1fps for up to 30 edges and 120fps and 60fps blasts that catch up to 60 shots at VGA and 1-megapixel resolution, individually.

The time it takes from pressing the shutter release to catch without prefocusing is 0.5 seconds in great lighting, which is decent, however, in our low-light test with less scene contrast, the shutter lag arrived at the midpoint of 1.9 seconds. When you begin broadening the focal point, the camera takes considerably longer to centre. When you get out to the 1,000mm position, it tends to be exceptionally delayed to the centre. This is typical, only something to know about on the off chance that you will shoot quick subjects at the fax end of the focal point. Then again, Sony, Panasonic, Canon, and Fujifilm have all superior self-adjust speeds in fax, making this Nikon one of the more slow top of the line mega zooms.

There are two unique approaches to creating pictures with the Nikon Coolpix P520: you can utilize either the eye-level electronic viewfinder (EVF) or the back screen. Tragically, there are still no eye closeness sensors that would permit the camera to flip between the two consequently, and on the P520 there’s no button to flip between the two. 

Rather you need to close the LCD screen totally to utilize the EVF, which is exceptionally unintuitive. As the EVF is a swamp standard undertaking with 201,000 dabs and normal amplification, not a huge deal, particularly in 2013, you presumably won’t utilize it, especially in any case. The three-inch back LCD screen is a lot more pleasant to check out, because of its high resolution of 921,000 specks. Considerably more significantly, it’s currently a vari-point model that can be gone crazy aside and shifted through 270 degrees, providing you with a great deal of adaptability in composing your shots, a major enhancement for the more limited development presented by the P510’s screen.

Nikon Coolpix P520 Design and Features

The body configuration has scarcely changed since the P500, remaining incredibly minimal thinking about the focal point. Furthermore, the focal point is the majority of the weight, which causes the remainder of the body to feel lightweight and economically developed. Be that as it may, the right-hand grasp is profound and alright with a finished elastic piece on the front and the enormous focal point barrel gives you plentiful space to hold and consistent the camera with your left hand. The controls are serenely positioned and responsive.

There’s a little, however good, electronic viewfinder (EVF) and a Vari-point LCD for building out your shots. The LCD goes crazy from the body and can be pivoted up or down. Nikon eliminated the button to switch this way and that between the EVF and LCD and on second thought you need to flip the LCD so it faces into the body to enact the viewfinder, which is an aggravation assuming you like to involve the bigger LCD for settings changes or assessing. 

What’s more, similar to all LCDs and EVFs, the screen spaces out briefly whenever you’ve made an effort, yet it’s sensibly quick to recuperate. Toward the left of the EVF is a diopter change dial and to its right are a Display button for changing what data is seen on the presentations and a film record button.

The other controls haven’t transformed from the P510 (it’s a standard digital camera control design). It very well may be utilized to zoom in and out (convenient while shooting motion pictures), to snap the focal point back a piece in telephoto should your subject move out of the edge, or for manual concentration. There is additionally a programmable capacity button simply behind the shade discharge; its default is evolving nonstop shooting modes, however, it very well may be set for ISO, white equilibrium, metering, AF region mode, colour mode, or picture size.

The camera’s connection point is sufficiently simple to explore that first-time clients ought to experience no difficulty getting around. The route is a piece drowsy, however, with a slight postponement with each button press. For the individuals who like to remove control from the camera and change settings, this can be fairly disappointing and it doesn’t help that outside of the previously mentioned work button, there are no buttons for direct control of ISO, white equilibrium, metering, or AF region modes.

The battery compartment and card space are under an entryway on the base, right close to the stand mount, so you can’t eliminate the card or battery while it’s mounted. The battery duration is genuinely short at 200 shots (I got to 240 preceding the battery was depleted). The battery is charged in-camera and the divider connector requires over 4 hours to completely charge the battery from nothing. If a common day of shooting for you will incorporate the rapid burst modes and film catch and utilize the 3.2-inch LCD and the zoom a ton, you’ll need a reinforcement battery.

Outputs are under a cover on the body’s right side; you get a Mini-HDMI and a Micro-USB/AV port, the last option of which can be utilized with Nikon’s WU-1a Wi-Fi connector so it can speak with Android and iOS gadgets for the survey and moving photographs and recordings. There’s no adornment shoe for an extra glimmer, restricting you to the installed spring up one. It doesn’t naturally arise when required, rather staying off until you press a button on the left half of the camera. It’s enough strong and there are streak openness remuneration settings accessible.

Finally, the P520 has an underlying GPS. It’s rigorously there for geotagging photographs, so no extravagant guides or anything like that. In any case, it rushed to lock onto a sign, even in the centre of New York encompassed by tall structures. Nikon astutely gave it its tab in the menu interface, making it simple to turn it on and off. It will deplete your battery quickly, so ensure you shut it off if you’re not utilizing it.

The P520 has a pleasant blend of shooting modes, settling on it a decent decision for both snapshooters and the individuals who need somewhat more control. Nikon’s Scene Auto Selector is situated in with the other Scene modes. It changes settings properly founded on six normal scene types. There is an Auto mode, which turns down all photograph settings from the client except picture quality and size.

Outside of the Scene Auto Selector, there are 16 other scene modes, for example, Landscape and Portrait as well as a Pet Portrait mode that will naturally shoot when it recognizes a feline or canine face, as well as two display modes: Easy and Panorama Assist. The last option utilizes an apparition picture on the screen to assist you with arranging your progressive photographs. 

The previous simply expects you to press the shutter and pan the camera left, right, up, or down to make a display in the camera. These modes never handle development well, so they’re best involved on view without development in it. Nikon likewise added a straightforward 3D photograph mode. It works like the Panorama Assist mode; you make one effort and move the camera marginally to one side, and it shoots a subsequent shot and consolidates them into one MPO record for a survey on a 3D display.

To accomplish something other than simple to use, the P520 has Program, Aperture-need, Shutter-speed-need, and Manual modes. Shade speeds are flexible from 8 seconds to 1/4,000 of a second (however ISO should be fixed at 80 or 100 to get to the full reach). Gaps at the wide end go from f3.0 to f8.3 with a sum of 10 stops. The fax end has only four stops: f5.9, f6.6, f7.4, and f8.3. 

Past gap and screen speed, Nikon incorporate manual changes for sound decrease, honing, difference, and immersion, shading channels and conditioning for monochrome photographs, and things like openness organizing and streak openness pay. Also if you concoct a set you like, you can store them in the Custom mode for simple review. It’s not however much control as you’d find in the Panasonic Lumix FZ200 or Fujifilm FinePix HS50EXR, yet more than you get from lower-end models like the Nikon Coolpix L820.

There are additionally a few high-velocity recording choices, including 720p at 60fps and VGA at 120fps. The camera’s Special Effects modes, like Soft, Selective Color, and High-contrast Monochrome, can be utilized for shooting films, as well.

Nikon Coolpix P520 Vibration Reduction

Nikon has incorporated their VR (Vibration Reduction) picture adjustment framework to assist with forestalling camera-shake, permitting the utilization of screen speeds up to four stops slower, while the new Active mode guarantees clear shots even from moving vehicles. Annoyingly there is not a devoted button to turn it on and off (it’s fairly covered in the Setup menu). We observed that the VR framework has a perceptible effect on the sharpness of the pictures, as displayed in the models on the Image Quality page.

To test this, I made 2 handheld efforts of a similar subject with the focal point set to a similar central length and ISO speed. The initial shot was taken with vibration decrease switched off, the second with it turned on. As may be obvious, with vibration decrease turned on, the pictures are certainly more keen than with vibration decrease switched off. Here is a 100 per cent crop of the pictures to show the outcomes.

You don’t see that the camera is doing anything different when hostile to shake is turned on, only that you can utilize more slow shade speeds than ordinary yet take sharp photographs. It didn’t appear to antagonistically influence the battery duration either, which is around a scarcely sufficient 200 shots, so we’d encourage you to turn it on and afterwards forget about it. It’s smart to switch VR off (using the menu) when the camera is mounted on a stand, in case the actual framework cause obscuring by attempting to counter camera shake that isn’t there.

Nikon Coolpix P520 Flash

The flash settings on the Nikon Coolpix P520 are Auto, Auto with Red-eye decrease, Fill Flash, Manual (Full, 1/2, 1/4 1/8, 1/16, 1/32 and 1/64), Slow Sync, Rear-shade Sync and Flash Off. These shots of a white-hued divider were taken a ways off of 1.5m. Some vignetting and barrel twisting is clear at the 24mm wide-point setting, independent of whether or not you utilize the glimmer.

Pros of Nikon Coolpix P520:

  • 7.0fps continuous shooting
  • Built-in GPS
  • 3D Shooting Capability
  • 120fps High-Speed Video
  • Electronic Built-in Viewfinder
  • Articulating Screen
  • Manual Focusing

Cons of Nikon P520:

  • No Wireless Connection
  • Heavy body


Is the Nikon Coolpix P520 a good camera?

The P520 is a reasonable and proficient superzoom and photos are fine considering the 18-megapixel goal, this Coolpix just can’t exactly keep up the speed contrasted with a significant number of its rivals.

How old is the Nikon Coolpix P520?

The Nikon Coolpix P520 was released in January 2013 with a 42x optical long range focal point, 18 megapixels illuminated CMOS sensor and a 3.2-inch vari-point LCD screen.

Is Nikon P520 a DSLR?

Yes, this is a DSLR-styled digital ultrazoom bridge camera with a 42x optical long range focal point is a 35mm likeness of 24-1000mm, ideal for scenes and zooming in near your subject.

Does the Nikon Coolpix P520 have wifi?

The Nikon Coolpix P520 doesn’t have Wi-Fi worked in, however it is viable with Nikon’s Wu-1a remote connector.

How do I transfer pictures from my Nikon Coolpix p520 to my phone?

You can transfer photos from Nikon Coolpix P520 to your phone in the following way,

  • Connect the adapter to your phone.
  • Interface your advanced camera to the adapter by USB or addition an SD card.
  • Photographs should naturally open to the Import tab. 
  • Tap Import All to transfer your pictures.

How do I charge my Nikon Coolpix p520?

The ability to charge the battery is provided from a PC utilizing USB lead or from a battery charger. At the point when the battery is embedded in the camera and is being charged, take a look at the little green charge light on the camera.

What is a bridge camera in photography?

Bridge cameras are styled like SLRs, yet highlight fixed long-range focal points. They’re a strong decision for picture takers who need a zoom range that must be reached via conveying a few focal points alongside an SLR.

Final Words on Nikon Coolpix P520

The Nikon Coolpix P520 is an awesome mega zoom camera. It doesn’t have the better quality highlights or more profound controls of the Fujifilm HS50EXR, Panasonic FZ200, or Canon PowerShot SX50 HS. The main genuine worries I have are the sluggish self-adjust in telephoto and the long screen slack in low light. However, you can use it for your regular photography.